{"id":53,"date":"2017-08-12T10:04:53","date_gmt":"2017-08-12T13:04:53","guid":{"rendered":"http:\/\/localhost\/wordpress\/?page_id=53"},"modified":"2024-06-14T03:36:18","modified_gmt":"2024-06-14T06:36:18","slug":"prensa-press-releases","status":"publish","type":"page","link":"http:\/\/lauraortego.com\/?page_id=53","title":{"rendered":"TEXTOS\/ WRITINGS"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"53\" class=\"elementor elementor-53\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-48162a37 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"48162a37\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-75d7d1d4\" data-id=\"75d7d1d4\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-48a468ab hfe-nav-menu__align-left hfe-submenu-icon-arrow hfe-link-redirect-child hfe-nav-menu__breakpoint-tablet elementor-widget elementor-widget-navigation-menu\" data-id=\"48a468ab\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;padding_vertical_menu_item&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:5,&quot;sizes&quot;:[]},&quot;padding_vertical_dropdown_item&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;padding_horizontal_menu_item&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:15,&quot;sizes&quot;:[]},&quot;padding_horizontal_menu_item_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_horizontal_menu_item_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_vertical_menu_item_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_vertical_menu_item_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;menu_space_between&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;menu_space_between_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;menu_space_between_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;dropdown_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;dropdown_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;dropdown_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;padding_horizontal_dropdown_item&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_horizontal_dropdown_item_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_horizontal_dropdown_item_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_vertical_dropdown_item_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_vertical_dropdown_item_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;distance_from_menu&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;distance_from_menu_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;distance_from_menu_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_size&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_size_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_size_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_width&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_width_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_width_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"navigation-menu.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"hfe-nav-menu hfe-layout-vertical hfe-nav-menu-layout vertical\" data-layout=\"vertical\">\n\t\t\t\t<div role=\"button\" class=\"hfe-nav-menu__toggle elementor-clickable\" tabindex=\"0\" aria-label=\"Menu Toggle\">\n\t\t\t\t\t<span class=\"screen-reader-text\">Menu<\/span>\n\t\t\t\t\t<div class=\"hfe-nav-menu-icon\">\n\t\t\t\t\t\t<i aria-hidden=\"true\"  class=\"fas fa-align-justify\"><\/i>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<nav class=\"hfe-nav-menu__layout-vertical hfe-nav-menu__submenu-arrow\" data-toggle-icon=\"&lt;i aria-hidden=&quot;true&quot; tabindex=&quot;0&quot; class=&quot;fas fa-align-justify&quot;&gt;&lt;\/i&gt;\" data-close-icon=\"&lt;i aria-hidden=&quot;true&quot; tabindex=&quot;0&quot; class=&quot;far fa-window-close&quot;&gt;&lt;\/i&gt;\" data-full-width=\"yes\">\n\t\t\t\t\t<ul id=\"menu-1-48a468ab\" class=\"hfe-nav-menu\"><li id=\"menu-item-1332\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-home parent hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/\" class = \"hfe-menu-item\">LAURA ORTEGO<\/a><\/li>\n<\/ul> \n\t\t\t\t<\/nav>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7c48d3a2 hfe-nav-menu__align-left hfe-submenu-icon-arrow hfe-link-redirect-child hfe-nav-menu__breakpoint-tablet elementor-widget elementor-widget-navigation-menu\" data-id=\"7c48d3a2\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;padding_vertical_dropdown_item&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;padding_vertical_menu_item&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:13,&quot;sizes&quot;:[]},&quot;padding_horizontal_menu_item&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:15,&quot;sizes&quot;:[]},&quot;padding_horizontal_menu_item_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_horizontal_menu_item_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_vertical_menu_item_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_vertical_menu_item_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;menu_space_between&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;menu_space_between_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;menu_space_between_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;dropdown_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;dropdown_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;dropdown_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;padding_horizontal_dropdown_item&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_horizontal_dropdown_item_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_horizontal_dropdown_item_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_vertical_dropdown_item_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;padding_vertical_dropdown_item_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;distance_from_menu&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;distance_from_menu_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;distance_from_menu_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_size&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_size_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_size_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_width&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_width_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_width_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;toggle_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"navigation-menu.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"hfe-nav-menu hfe-layout-vertical hfe-nav-menu-layout vertical\" data-layout=\"vertical\">\n\t\t\t\t<div role=\"button\" class=\"hfe-nav-menu__toggle elementor-clickable\" tabindex=\"0\" aria-label=\"Menu Toggle\">\n\t\t\t\t\t<span class=\"screen-reader-text\">Menu<\/span>\n\t\t\t\t\t<div class=\"hfe-nav-menu-icon\">\n\t\t\t\t\t\t<i aria-hidden=\"true\"  class=\"fas fa-align-justify\"><\/i>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<nav class=\"hfe-nav-menu__layout-vertical hfe-nav-menu__submenu-arrow\" data-toggle-icon=\"&lt;i aria-hidden=&quot;true&quot; tabindex=&quot;0&quot; class=&quot;fas fa-align-justify&quot;&gt;&lt;\/i&gt;\" data-close-icon=\"&lt;i aria-hidden=&quot;true&quot; tabindex=&quot;0&quot; class=&quot;far fa-window-close&quot;&gt;&lt;\/i&gt;\" data-full-width=\"yes\">\n\t\t\t\t\t<ul id=\"menu-1-7c48d3a2\" class=\"hfe-nav-menu\"><li id=\"menu-item-1551\" class=\"menu-item menu-item-type-post_type menu-item-object-page parent hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=17\" class = \"hfe-menu-item\">ABOUT<\/a><\/li>\n<li id=\"menu-item-1166\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-has-children parent hfe-has-submenu hfe-creative-menu\"><div class=\"hfe-has-submenu-container\" tabindex=\"0\" role=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\"><a aria-expanded=\"false\" href=\"#\" class = \"hfe-menu-item\">OBRA \/ WORK<span class='hfe-menu-toggle sub-arrow hfe-menu-child-0'><i class='fa'><\/i><\/span><\/a><\/div>\n<ul class=\"sub-menu\">\n\t<li id=\"menu-item-1570\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=1557\" class = \"hfe-sub-menu-item\">CHIQUES \u2013 2019 \u2013 2022<\/a><\/li>\n\t<li id=\"menu-item-907\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=731\" class = \"hfe-sub-menu-item\">HOMBRES\/ MEN 2018<\/a><\/li>\n\t<li id=\"menu-item-908\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=837\" class = \"hfe-sub-menu-item\">JUEGO DE LIVING JAPON 2017 ONGOING<\/a><\/li>\n\t<li id=\"menu-item-2963\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=2935\" class = \"hfe-sub-menu-item\">LA HORA AZUL<\/a><\/li>\n\t<li id=\"menu-item-1175\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=31\" class = \"hfe-sub-menu-item\">CHICAS\/ GIRLS BEIJING 2014<\/a><\/li>\n\t<li id=\"menu-item-910\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=33\" class = \"hfe-sub-menu-item\">CHICAS\/ GIRLS 2012 ONGOING<\/a><\/li>\n\t<li id=\"menu-item-911\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=35\" class = \"hfe-sub-menu-item\">NENAS\/ LITTLE GIRLS 2008- 2009<\/a><\/li>\n\t<li id=\"menu-item-912\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=37\" class = \"hfe-sub-menu-item\">NENAS\/ LITTLE GIRLS 2006- 2007<\/a><\/li>\n\t<li id=\"menu-item-913\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=46\" class = \"hfe-sub-menu-item\">RETRATOS\/ PORTRAITS \u201990s -2000<\/a><\/li>\n\t<li id=\"menu-item-915\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=42\" class = \"hfe-sub-menu-item\">JUEGO DE LIVING 2004 ONGOING<\/a><\/li>\n\t<li id=\"menu-item-916\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=44\" class = \"hfe-sub-menu-item\">NENAS\/ LITTLE GIRLS 2003<\/a><\/li>\n\t<li id=\"menu-item-1176\" class=\"menu-item menu-item-type-post_type menu-item-object-page hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=51\" class = \"hfe-sub-menu-item\">R\u00cdO MEKONG\/ MEKONG RIVER<\/a><\/li>\n<\/ul>\n<\/li>\n<li id=\"menu-item-1172\" class=\"menu-item menu-item-type-post_type menu-item-object-page parent hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=53\" class = \"hfe-menu-item\">TEXTOS\/ WRITINGS<\/a><\/li>\n<li id=\"menu-item-1171\" class=\"menu-item menu-item-type-post_type menu-item-object-page parent hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=56\" class = \"hfe-menu-item\">PRENSA\/ PRESS<\/a><\/li>\n<li id=\"menu-item-1170\" class=\"menu-item menu-item-type-post_type menu-item-object-page parent hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=49\" class = \"hfe-menu-item\">VISITA<\/a><\/li>\n<li id=\"menu-item-1173\" class=\"menu-item menu-item-type-post_type menu-item-object-page parent hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=58\" class = \"hfe-menu-item\">NOVEDADES\/ NEWS<\/a><\/li>\n<li id=\"menu-item-905\" class=\"menu-item menu-item-type-post_type menu-item-object-page parent hfe-creative-menu\"><a href=\"http:\/\/lauraortego.com\/?page_id=62\" class = \"hfe-menu-item\">CONTACTO\/ CONTACT<\/a><\/li>\n<\/ul> \n\t\t\t\t<\/nav>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1d63b445\" data-id=\"1d63b445\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4967cce5 elementor-widget elementor-widget-text-editor\" data-id=\"4967cce5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Juego de living, Laura Wittner, 2024<br \/><\/strong><\/p><p>Hay una cajita apoyada sobre un piso de roca. Parece un acantilado. \u00bfHay mar detr\u00e1s? \u00bfO es m\u00e1s roca? \u00bfEs un acantilado? \u00bfEs una cajita? \u00bfY estos sillones que rodean una mesa ratona en un paisaje des\u00e9rtico? \u00bfSon miniaturas, son de tama\u00f1o real, es un desierto o hay un cauce de agua a lo lejos? \u00bfQu\u00e9 es lejos y qu\u00e9 es cerca en esta foto? E incluso en los casos en que creemos saberlo, \u00bfno permanece, acaso, la pregunta? \u00bfQu\u00e9 est\u00e1 lejos? \u00bfEl pasado de donde provienen estos objetos? \u00bfO el futuro, que se los apropi\u00f3 para estas fotos en una traducci\u00f3n tentativa? \u00bfY qu\u00e9 est\u00e1 cerca? \u00bfEste presente, tal vez, en el que, de pie en la sala, dialogamos en silencio con cada una de las piezas?<\/p><p>Los objetos fotografiados en \u201cJuego de living\u201d (o juego de la vida, o vivir como en un juego) fueron elegidos por mujeres de distintos lugares del mundo y ofrendados para ser parte de otra cosa: muchas subjetividades enlazadas por una sola subjetividad y una c\u00e1mara fotogr\u00e1fica.<\/p><p>Incluso cuando no entendemos perfectamente de qu\u00e9 objeto se trata, entendemos cu\u00e1nto conllevan, cu\u00e1nto concentran. Un poco como si, en la foto, el objeto estuviera latiendo, bullendo. Despu\u00e9s de un rato de observaci\u00f3n, parece empezar a construirse, a su alrededor, toda una actividad el\u00e9ctrica.\u00a0<\/p><p>\u00bfEs una cajita? \u00bfUna cinta m\u00e9trica? \u00bfUn celular con la pantalla astillada? Nuestros dedos pueden percibir el roce, nuestra palma el peso. La foto lo deja muy en claro: ese objeto fue tocado, olido, trasladado. Es una identidad. Le pasaron un trapito, lo cambiaron de estante, lo metieron en un caj\u00f3n y lo volvieron a sacar. Fue de una casa a otra. Tiene un olor picante y a la vez discreto que recuerda a otro tiempo, a otro lugar o a alguien querido. Igual que nuestros propios tesoros, reclama su lugar en el espacio.<\/p><p>\u00a0<\/p><p>A little box rests on a rocky ground. It looks like a cliff. Is that the sea in the background? Or is it just more rock? Is it a cliff? Is it a little box? And what about these armchairs and a sofa next to a coffee table in a desert landscape? Are they miniatures, are they life-size, is it a desert or is there a watercourse in the distance? What is far and what is near in this photograph? And even in those cases when we think we know \u2013 doesn\u2019t the question remain? What is far? The past where these objects come from? Or the future, which seized them for this photo in a tentative translation? And what is near? This present, perhaps, in which, standing in the room, we have a silent conversation with each of the pieces?<br \/>The photographed objects in \u201cJuego de living\u201d (living room set or the game of living, or living as in a game) were chosen by women from different places of the world and offered to be part of something else: many subjectivities tied together by a single subjectivity and a camera.<br \/>Even when we don\u2019t exactly understand what object is it that we are looking at, we do understand how much they involve, they compress. It\u2019s a bit as if, in the photo, the object were beating, and boiling. After watching it for a while, a whole electrical activity seems to build up around it.<br \/>Is it a little box? A measuring tape? A cellphone with a chipped screen? Our fingers can perceive the touch, our palms can feel the weight. The photo makes it clear: that the object has been touched, smelled, and moved. It\u2019s an identity. It was given a wipe down, changed from one shelf to another, it was put in a drawer, and taken out again. It went from one home to another. It has a pungent but also discreet scent reminiscent of another time, another place or someone loved. Just like our treasures, it claim its place in space.<br \/>&#8211;\u00a0Laura Wittner<\/p><p>\u4e00\u4e2a\u5c0f\u76d2\u5b50\u653e\u5728\u5ca9\u77f3\u5730\u4e0a\u3002\u5b83\u770b\u8d77\u6765\u50cf\u60ac\u5d16\u3002\u80cc\u666f\u662f\u6d77\u5417\uff1f\u6216\u8005\u53ea\u662f\u66f4\u591a\u7684\u5ca9\u77f3\uff1f\u8fd9\u662f\u60ac\u5d16\u5417\uff1f\u662f\u4e00\u4e2a\u5c0f\u76d2\u5b50\u5417\uff1f\u5728\u6c99\u6f20\u666f\u89c2\u4e2d\uff0c\u8fd9\u4e9b\u6276\u624b\u6905\u548c\u5496\u5561\u684c\u65c1\u8fb9\u7684\u6c99\u53d1\u600e\u4e48\u6837\uff1f\u5b83\u4eec\u662f\u7f29\u5c0f\u7248\u7684\uff0c\u8fd8\u662f\u771f\u4eba\u5927\u5c0f\u7684\uff0c\u662f\u6c99\u6f20\u8fd8\u662f\u8fdc\u5904\u6709\u6c34\u9053\uff1f\u8fd9\u5f20\u7167\u7247\u4e2d\u4ec0\u4e48\u662f\u8fdc\u7684\uff0c\u4ec0\u4e48\u662f\u8fd1\u7684\uff1f\u5373\u4f7f\u5728\u6211\u4eec\u8ba4\u4e3a\u81ea\u5df1\u77e5\u9053\u7684\u60c5\u51b5\u4e0b\uff0c\u95ee\u9898\u662f\u5426\u4ecd\u7136\u5b58\u5728\uff1f\u4ec0\u4e48\u662f\u8fdc\uff1f\u8fc7\u53bb\u8fd9\u4e9b\u7269\u4f53\u4ece\u54ea\u91cc\u6765\uff1f\u8fd8\u662f\u672a\u6765\uff0c\u6293\u4f4f\u4e86\u4ed6\u4eec\uff0c\u4e3a\u8fd9\u5f20\u7167\u7247\u8fdb\u884c\u4e86\u6682\u5b9a\u7684\u7ffb\u8bd1\uff1f\u9644\u8fd1\u662f\u4ec0\u4e48\uff1f\u4e5f\u8bb8\uff0c\u5728\u8fd9\u4e2a\u793c\u7269\u4e2d\uff0c\u6211\u4eec\u7ad9\u5728\u623f\u95f4\u91cc\uff0c\u4e0e\u6bcf\u4ef6\u4f5c\u54c1\u8fdb\u884c\u65e0\u58f0\u7684\u5bf9\u8bdd\uff1f<br \/>\u201cJuego de Living\u201d\uff08\u5ba2\u5385\u5e03\u666f\u6216\u751f\u6d3b\u7684\u6e38\u620f\uff0c\u6216\u6e38\u620f\u7684\u751f\u6d3b\uff09\u4e2d\u7684\u62cd\u6444\u5bf9\u8c61\u662f\u7531\u6765\u81ea\u4e16\u754c\u4e0d\u540c\u5730\u65b9\u7684\u5973\u6027\u9009\u62e9\u7684\uff0c\u5e76\u63d0\u51fa\u6210\u4e3a\u5176\u4ed6\u4e8b\u7269\u7684\u4e00\u90e8\u5206\uff1a\u8bb8\u591a\u4e3b\u89c2\u6027\u901a\u8fc7\u5355\u4e00\u7684\u4e3b\u89c2\u6027\u548c\u76f8\u673a\u3002<br \/>\u5373\u4f7f\u6211\u4eec\u4e0d\u5b8c\u5168\u7406\u89e3\u6211\u4eec\u6b63\u5728\u770b\u7684\u662f\u4ec0\u4e48\u5bf9\u8c61\uff0c\u6211\u4eec\u4e5f\u786e\u5b9e\u4e86\u89e3\u5b83\u4eec\u6d89\u53ca\u591a\u5c11\u5185\u5bb9\uff0c\u5b83\u4eec\u538b\u7f29\u4e86\u591a\u5c11\u3002\u7167\u7247\u4e2d\u7684\u7269\u4f53\u6709\u70b9\u50cf\u5728\u8df3\u52a8\u3001\u6cb8\u817e\u3002\u89c2\u5bdf\u4e86\u4e00\u6bb5\u65f6\u95f4\u540e\uff0c\u5b83\u5468\u56f4\u4f3c\u4e4e\u51fa\u73b0\u4e86\u5b8c\u6574\u7684\u7535\u5b50\u8fd0\u52a8\u3002<br \/>\u662f\u4e00\u4e2a\u5c0f\u76d2\u5b50\u5417\uff1f\u5377\u5c3a\uff1f\u624b\u673a\u5c4f\u5e55\u6709\u7f3a\u53e3\uff1f\u6211\u4eec\u7684\u624b\u6307\u53ef\u4ee5\u611f\u89c9\u5230\u89e6\u6478\uff0c\u6211\u4eec\u7684\u624b\u638c\u53ef\u4ee5\u611f\u89c9\u5230\u91cd\u91cf\u3002\u8fd9\u5f20\u7167\u7247\u6e05\u695a\u5730\u8868\u660e\uff1a\u8be5\u7269\u4f53\u88ab\u89e6\u6478\u3001\u95fb\u8fc7\u3001\u79fb\u52a8\u8fc7\u3002\u8fd9\u662f\u4e00\u4e2a\u8eab\u4efd\u3002\u5b83\u88ab\u64e6\u62ed\u5e72\u51c0\uff0c\u4ece\u4e00\u4e2a\u67b6\u5b50\u6362\u5230\u53e6\u4e00\u4e2a\u67b6\u5b50\uff0c\u653e\u8fdb\u62bd\u5c49\u91cc\uff0c\u7136\u540e\u53c8\u62ff\u51fa\u6765\u3002\u5b83\u4ece\u4e00\u4e2a\u5bb6\u5230\u53e6\u4e00\u4e2a\u5bb6\u3002\u5b83\u6709\u4e00\u79cd\u523a\u9f3b\u4f46\u53c8\u8c28\u614e\u7684\u6c14\u5473\uff0c\u8ba9\u4eba\u60f3\u8d77\u53e6\u4e00\u4e2a\u65f6\u95f4\u3001\u53e6\u4e00\u4e2a\u5730\u65b9\u6216\u6240\u7231\u7684\u4eba\u3002\u5c31\u50cf\u6211\u4eec\u7684\u5b9d\u85cf\u4e00\u6837\uff0c\u5b83\u5728\u592a\u7a7a\u4e2d\u5360\u6709\u4e00\u5e2d\u4e4b\u5730\u3002<br \/>&#8211; Laura Wittner<\/p><p><strong>Hombres, \u00a0Lucia Puenzo 2018<\/strong><\/p><p>Cuando conoc\u00ed a Laura, hace m\u00e1s de veinte a\u00f1os, \u00e9ramos apenas unos a\u00f1os mayores que esas chicas que ella iba a empezar a retratar un tiempo despu\u00e9s, concentr\u00e1ndose en la transici\u00f3n de la infancia a la adultez. Ella estaba reci\u00e9n llegada a Buenos Aires y casi de inmediato, mientras estudi\u00e1bamos cine, empez\u00f3 a retratar ni\u00f1as perdidas en la ciudad, en la naturaleza y en interiores antiguos.<\/p><p>Sus fotos eran cuentos de hadas: siniestros, delicados y dulces. Tan inocentes como sexuales. Pura contradicci\u00f3n&#8230; igual que Laura, que a\u00fan tiene esa mezcla encantadora entre inocencia y reviente.<\/p><p>Un tiempo despu\u00e9s empez\u00f3 a viajar por Asia por per\u00edodos cada vez m\u00e1s largos. Todav\u00eda magnetizada por el mundo femenino, retrat\u00f3 adolescentes (m\u00e1gicas) en Beijing, que despu\u00e9s public\u00f3 en un libro. Pero ya empezaba a detenerse en otros mundos: en una serie de retratos de artistas chinos en la intimidad de sus talleres, los primeros hombres lograron colarse en la obra de Laura.<\/p><p>Fue reci\u00e9n este a\u00f1o, ahora que los ojos del mundo parecen estar mirando a las mujeres, que Laura apunt\u00f3 su lente hacia los hombres. A partir de su incursi\u00f3n en las redes sociales para citas, puso el foco en la construcci\u00f3n de la identidad masculina: frente a una colecci\u00f3n de hombres practicando deportes extremos, posando delante de la torre Eiffel, exhibiendo sus armas, sus autos y sus m\u00fasculos, decidi\u00f3 retratarlos sacudiendo los estereotipos de la masculinidad.<\/p><p>Y ah\u00ed est\u00e1n&#8230; \u00a1m\u00edrenlos!<\/p><p>U\u00f1as y ojos pintados, encajes, tacos, carteritas, anteojos de marco rosa, collares de esmeralda&#8230; puro desparpajo, sexo y humor de la mano del vestuario de Laura Cacherosky, otra irreverente compa\u00f1era de nuestros a\u00f1os de formaci\u00f3n que ya en ese entonces sacud\u00eda nuestros primeros cortometrajes.<\/p><p>El resultado dinamita el discurso hegem\u00f3nico de lo que es un hombre. Pero no se confundan: no son hombres travestidos. Es m\u00e1s bien el alma femenina de todos esos hombres que se permite salir a jugar, ahora que nos animamos a pensar un mundo que no sea binario.<\/p><p>\u00a0<\/p><p><strong>Men, Luc\u00eda Puenzo 2018<\/strong><\/p><p>When I met Laura, over 20 years ago, we were barely older than the girls she would later portray focusing on the transition from childhood to adulthood. She had just arrived to Buenos Aires and while we studied filmmaking she portrayed girls who were lost in the city, in the nature or in antique settings. Her pictures were fairy tales: uncanny, delicate and sweet. Both innocent and sexual. Pure contradiction&#8230; like Laura who still has that charming mix of trashy innocence.<\/p><p>As she travelled across Asia for longer and longer periods, still magnetized by the female world, she portrayed (magical) teenagers in Beijing and published a book. But she was already digging other worlds: it was in a series of portraits of Chinese artists in their workshops that men first made it into Laura\u2019s work.<\/p><p>This year, when the eyes of the world seem to be looking at women, Laura aimed at men. After making incursions into dating apps she focused on masculine identity building. Given the collection of men practising extreme sports, posing by the\u00a0Eiffel tower, showing guns, cars or muscles, she decided to portray them in a way that would shake masculine stereotypes up.<\/p><p>And there they are&#8230; look at them!<\/p><p>Polished nails and made-up eyes, laces, heels, handbags, pink sunglasses, emerald necklaces &#8230; pure nonchalance, sex and humour fuelled by Laura Cacherosky\u2019s costumes, another irreverent comrade from our training years that already rocked our first short films back in the day.<\/p><p>The result blows up the hegemonic narrative around what a man is. But do not be confused: these are not cross-dressers. It is rather the feminine soul of all those men who are allowed to go out and play now that we are encouraged to think of a world that is not binary.<\/p><p><strong>Sobre La hora azul (Songzhuang) Lara M\u00e1rmor 2016 <br \/><\/strong><\/p><p>Son cincuenta carriles paralelos y los autos avanzan a paso de hombre por la autopista que conduce al centro de Beijing. El viaje se hace largo por el tr\u00e1nsito y m\u00e1s lento a\u00fan por el afanoso intercambio de ideas entre los compa\u00f1eros de ruta, que entre ellos no hablan espa\u00f1ol ni chino, tampoco ingl\u00e9s.<\/p><p>A pocos kil\u00f3metros de la ciudad suena un pitido y cae un mensaje al tel\u00e9fono. Se aquietan s\u00fabitamente las miradas y los gestos que hasta segundos guiaban la conversaci\u00f3n. Las muecas y las palabras quedan atr\u00e1s en el camino.<\/p><p>Pocos d\u00edas despu\u00e9s de este paseo, vuelve a sonar el celular con una nueva noticia, un rato despu\u00e9s de este episodio Laura agarra una bicicleta y por una calle de tierra llega a un mercado inmenso, multitudinario y bullicioso.<\/p><p>Micro monta\u00f1as de distintas pastas densas y gelatinosas, hilos de alg\u00fan tipo de fibra vegetal, perlas redondas y ovales, migajas que podr\u00edan ser granos de sal, un recorte de papel y una piedra que se parece a un cereal acaramelado. Sobre un fondo blanco y g\u00e9lido se revelan de forma extra\u00f1a pedacitos de cosas que cuesta entender qu\u00e9 son. Laura captura lo insignificante y dice: busco ingredientes que me ayuden a darle forma al momento cosmog\u00f3nico en el que todo est\u00e1 por empezar pero a\u00fan est\u00e1 terminando.<\/p><p>Son peque\u00f1\u00edsimas porciones de materia congeladas en el tiempo. Son paisajes que funcionan como vanitas, pero a diferencia de los l\u00fagubres bodegones barrocos, los elementos en las fotograf\u00edas de Laura parecen cobrar vida y conviven en una parsimoniosa combinaci\u00f3n de verdes, rosas y blancos, los colores de la paleta del loto, la flor sagrada que puede germinar cada trescientos a\u00f1os y hasta nacer del mismo barro.<\/p><p><strong>About The blue Hour (Songzhuang) Lara M\u00e1rmor 2016<\/strong><\/p><p>There are fifty parallel lanes and the cars move at a snail\u2019s pace in a highway that leads to downtown Beijing. The trip feels long because of the traffic but even longer because of the dedicated exchange of ideas of the fellow travellers who do not share a common language.<\/p><p>Still a few kilometres away from the city a phone beeps with an incoming message. Suddenly the glances and gestures that guided the conversation stop. Words and faces are left behind on the road.<\/p><p>Some days after that trip the phone rings again with news. A few minutes later Laura grabs the bike, takes a dirt road and goes to a huge, bustling crowded market.<\/p><p>Micro mountains of dense jellied dough, strings of some kind of vegetal fibre, round and oval pearls, crumbles that could also be grains of salt, a paper cut-out and a rock that looks like caramelized cereal. Over a gelid white background small pieces of things that are hard to define reveal themselves in strange ways. Laura captures insignificant things and says: I am looking for ingredients that help me shape that cosmogonic moment when everything is about to start but it is still ending.<\/p><p>They are tiny portions of matter frozen in time. They are landscapes that work as vanitas but unlike the gloomy baroque taverns, the elements in Laura\u2019s photographs seem to come to life and live together in torpid combination with greens, pinks and whites. It is the lotto palette, the sacred flower that blooms every 300 years from the same mud.<\/p><p><strong>Sobre Chicas Lucrecia Ojeda, 2016<\/strong><\/p><p>Paisaje que anda:<br \/>Aventurar\u00edamos decir que la obra de Laura inicia en su infancia. Su mirada guarda el recuerdo del extra\u00f1amiento en carne propia: de la inmensidad inalcanzable al l\u00edmite pr\u00f3ximo, obligado; de la calma a la vor\u00e1gine, de la contemplaci\u00f3n a la turbulencia. De ida y de-vuelta.<br \/>Aparece en su obra la profundidad de lo que se presenta ante los ojos de quien viaja y observa pero no puede ya seguir inmune porque algo lo captura en ese andar, como a quien lo detiene un presagio.<br \/>Como un silencio minado de ruidos de engranajes que mueven la noria en la que ya fuimos subidos sin alcanzar a percibirlo.<br \/>Como la falaz sobriedad en la pose de una chica detenida, imperturbable, silenciosa como si no rugiera nada dentro.<br \/>Como si no hubiera universos en implosi\u00f3n contenidos, sosegados por la escena para el espectador.<br \/>En estos retratos de lo incierto anida un todo por venir. Y la tensi\u00f3n por coexistir con lo que ya lleg\u00f3. Como un trompo en movimiento arrojado al infinito, en un instante previo a detenerse, que no sabemos cu\u00e1nto puede durar.<br \/>Mujeres ni\u00f1as, o ni\u00f1as deviniendo mujer, retratadas por una mujer, que fue ni\u00f1a.<br \/>Mujeres, todas, que respiran, que sienten, que vibran, que ven. A\u00fan debajo de un artificioso silencio, cuidadosamente elaborado, que entrampa al que ve.<\/p><p><strong>About girls Lucrecia Ojeda, 2016<\/strong><\/p><p>A moving landscape:<br \/>We could venture that Laura\u2019s work begins in her childhood. Her look hangs on to her own memory of estrangement: from unreachable immensity to the close limits, from calm to confusion, from contemplation to turbulence. It goes and re-turns.<\/p><p>Her work shows the deepness of things that reveal to the eyes of the traveller that observes but can no longer be immune. Laura is captured in her journey like if she was held by an omen.<\/p><p>Like the silence mined with gear noises from a big wheel we have entered without knowing.<br \/>Like the deceitful sobriety in the pose of still girls, composed and silent like if there was no roaring inside.<br \/>Like if there were no contained imploding universes soothed by the mise en sc\u00e8ne for the viewers in these portraits uncertainty nests in things to come. The tension to coexist with what is there expands like a spinning top tossed out to infinity. It is the instant before stopping and we don\u2019t know how long it may last.<br \/>These are women who are still girls or girls becoming women photographed by a woman who was once a girl.<br \/>These are women who breathe, feel, quiver, and see beneath the contrived carefully-elaborated silence that tricks the viewer.<\/p><p><strong>Sobre Nenas\/ About little girls Gabriela Francone, 2011<\/strong><\/p><p>Laura Ortego naci\u00f3 en la Patagonia. La de horizontes dilatados y vientos implacables. Vivi\u00f3 hasta los 18 a\u00f1os en Comodoro Rivadavia.<br \/>Apenas a unos minutos del centro, el infinito.<br \/>El todo y la nada fueron paisajes cotidianos en su infancia. La atracci\u00f3n y el abismo de lo ilimitado.<br \/>Recorremos en sus fotos paisajes reales e imaginados. El registro, el recuerdo y el sue\u00f1o.<br \/>Pero no es la llanura o la meseta de Comodoro lo que reaparece una y otra vez en esta serie, sino el bosque. El espacio ominoso de la f\u00e1bula infantil. El escenario del extra\u00f1amiento y el ritual.<br \/>Un ligero temblor sacude la superficie serena de la foto, su belleza tensa.<br \/>Algo nos incomoda, nos sorprende, en las fotos de estas ni\u00f1as.<br \/>\u00bfQu\u00e9 las aflige?<br \/>\u00bfQu\u00e9 les quitaron?<br \/>Despose\u00eddas de algo inasible las ni\u00f1as de Laura Ortego hacen que nos preguntemos por el instante en que algo echa a andar el mecanismo que ensombrece el alma del ni\u00f1o.<br \/>\u00bfC\u00f3mo se presentar\u00e1 la conciencia del dolor, del absurdo? \u00bfLas tomar\u00e1 por sorpresa en un sue\u00f1o, y como un latigazo las dejar\u00e1 sin aliento?<br \/>\u00bfArder\u00e1n por un momento sus almas? \u00bfHar\u00e1n ruido como el papel de seda cuando se arruga?<br \/>Despu\u00e9s, ya nada ser\u00e1 igual.<br \/>\u00bfComo se ver\u00eda nuestro rostro ese d\u00eda en una foto? \u00bfVacilar\u00edan nuestros pies peque\u00f1os?<br \/>\u00bfCu\u00e1ntas veces, ya adultos, volvemos a ser el ni\u00f1o asustado en el bosque y nos visitan fantasmas olvidados?&#8230; Ahora que ya lo sabemos, el monstruo acecha.<br \/>Imaginamos que esta ni\u00f1a vestida de blanco rodeada de \u00e1rboles espectrales mira la luna que ti\u00f1e de sombras el cielo quieto\u2026<br \/>\u201cqu\u00e9 m\u00e1s da\u201d, parece susurrarnos, \u201cjuguemos \u2026 mientras el lobo no est\u00e1\u201d.<\/p><p>Laura Ortego was born in the Argentinean Patagonia, among expanded horizons and relentless winds. She lived in Comodoro Rivadavia until she was 18.<br \/>The infinite was looming a few minutes off the city center.<br \/>Whole and Nothingness were daily landscapes in her childhood. The attraction and the abyss of the limitless.<br \/>In her pictures we experience real and imagined landscapes. The record, the remembrance and the dream.<br \/>It is not the plain or the plateau of Comodoro which appears once and again in her series, but the forest. The ominous space of the infantile fable. The scene of estrangement and ritual.<br \/>A slight tremor shakes the calm surface of the photo, its tense beauty.<br \/>Something makes us uncomfortable, amazes us in the pictures of those girls.<br \/>What makes them feel sad?<br \/>What has been taken from them?<br \/>Laura Ortego\u00b4s destitute girls make us ask about the moment in which something starts the mechanism that darkens the children\u00b4s soul.<br \/>How will the awareness of pain present itself? And the awareness of the absurd? Will they take them by surprise in a dream, leaving them breathless, like a lash?<br \/>Will their souls burn for a moment? Will they make noise like silk paper when being crumpled?<br \/>Then, nothing will be the same.<br \/>How would our face look like in a picture that day? Would our small feet stagger?<br \/>How many times, as grown-ups, we become that scared child in the forest, visited again by forgotten ghosts? \u2026 Now that we know, the monster lies ahead of us.<br \/>We imagine that this girl dressed in white, surrounded by spectral trees, is watching the moon that dyes the quiet sky with shades\u2026<br \/>\u201cWhat does it matter?\u201d seems to whisper in our ears, \u201cLet\u00b4s play\u2026 while the wolf is away\u201d.<\/p><p>Laura Ortego\u51fa\u751f\u65bc\u4e00\u671b\u65e0\u9645,\u98ce\u58f0\u8427\u8427\u7684\u963f\u6839\u5ef7\u5df4\u5854\u54e5\u5c3c\u4e9a\uff0c\u76f4\u523018\u5c81\u5979\u90fd\u4f4f\u5728\u91cc\u74e6\u8fbe\u7ef4\u4e9a\u6d77\u519b\u51c6\u5c06\u57ce\u3002\u5979\u7684\u7ae5\u5e74\u98ce\u666f\u662f\u4e00\u6574\u7247\u7684\u7a7a\u65f7,\u5145\u6ee1\u8457\u65e0\u9650\u7684\u5438\u5f15\u529b\u53ca\u6df1\u6e0a\u3002<br \/>\u5979\u7684\u4f5c\u54c1\u4f53\u9a8c\u51fa\u771f\u5b9e\u548c\u60f3\u8c61\u7684\u98ce\u666f,\u5305\u542b\u8457\u8bb0\u5f55\uff0c\u56de\u5fc6\u548c\u68a6\u60f3\u3002\u53ef\u753b\u9762\u4e2d\u88ab\u91cd\u8986\u7684\u5e76\u4e0d\u662f\u77ff\u91ce\u6216\u5df4\u5854\u54e5\u5c3c\u4e9a\u9ad8\u539f,\u800c\u662f\u68ee\u6797\u3002\u662f\u90a3\u5a74\u513f\u671f\u9057\u4e0b\u7684\u5bd3\u8a00,\u662f\u90a3\u9694\u9602\u7684\u7a7a\u95f4\u548c\u4eea\u5f0f\u7684\u73b0\u573a\u3002<br \/>\u5e73\u9759\u7684\u753b\u9762\u53ca\u7167\u7247\u4e2d\u7d27\u5f20\u7684\u7f8e\u88ab\u8f7b\u5fae\u7684\u9707\u98a4\u6447\u52a8\u8457, \u8fd9\u4e9b\u5973\u5b69\u7684\u7167\u7247\u4e2d\u6709\u67d0\u79cd\u8ba9\u4eba\u4e0d\u5b89\u53ca\u60ca\u8bb6\u7684\u4e1c\u897f, \u5230\u5e95\u662f\u4ec0\u4e48\u8ba9\u5979\u4eec\u611f\u5230\u96be\u8fc7\uff1f\u5979\u4eec\u88ab\u593a\u53bb\u4e86\u4ec0\u9ebc\uff1f<br \/>Laura Ortego\u7684\u5973\u5b69\u8ba9\u6211\u4eec\u7591\u95ee\u662f\u4ec0\u9ebc\u8ba9\u5b69\u5b50\u4eec\u7684\u5fc3\u7075\u5f00\u59cb\u53d8\u7684\u9ed1\u6697?\u800c\u75bc\u75db\u548c\u8352\u8c2c\u5c06\u4f1a\u5982\u4f55\u5c55\u793a\uff1f\u4f1a\u5728\u5979\u4eec\u68a6\u4e2d\u50cf\u97ad\u5b50\u4e00\u6837\u51fa\u73b0,\u8ba9\u5979\u4eec\u63aa\u624b\u4e0d\u53ca\u5417\uff1f\u4f1a\u70e7\u4f24\u5979\u4eec\u7684\u7075\u9b42\u5417\uff1f\u5979\u4eec\u4f1a\u4e0d\u4f1a\u53d1\u51fa\u50cf\u7eb8\u5f20\u88ab\u63c9\u76b1\u822c\u7684\u58f0\u97f3? \u7136\u540e,\u4e00\u5207\u90fd\u548c\u4ee5\u524d\u4e0d\u4e00\u6837\u4e86\u3002\u90a3\u5929\u7684\u6211\u4eec\u770b\u6765\u4f1a\u5982\u4f55\uff1f\u4f1a\u5c0f\u811a\u8e52\u8dda\u5417\uff1f<br \/>\u6210\u5e74\u540e,\u6211\u4eec\u591a\u5e38\u518d\u6b21\u6210\u4e3a\u4e86\u5728\u68ee\u6797\u91cc\u53d7\u60ca\u5413\u7684\u5b69\u5b50,\u88ab\u9057\u5fd8\u7684\u9b3c\u53c8\u591a\u4e45\u8bbf\u95ee\u4e00\u6b21\uff1f\u7279\u522b\u662f\u73b0\u5728,\u6211\u4eec\u77e5\u9053\u602a\u7269\u5c31\u5728\u524d\u65b9\u7b49\u8457<\/p><p class=\"p1\"><strong>Sobre Juego de living,\u00a0 por Florencia Cillo 2006<\/strong><\/p><p class=\"p1\">Dice Gast\u00f3n Bachelard: \u201cLos espacios que amamos no quieren quedarse encerrados siempre. Se despliegan, se transportan f\u00e1cilmente a otra parte, a otros tiempos, en planos diferentes de sue\u00f1os y recuerdos\u201d.<\/p><p class=\"p1\">Sobre la idea de que el paisaje es una construcci\u00f3n, un recorte, un a\u00f1adido, podemos entender que \u00e9ste se constituye como tal por su condici\u00f3n vincular y solidario con el estado subjetivo su observador.<\/p><p class=\"p1\">Laura Ortego fotograf\u00eda siete objetos de su herencia familiar en inmensos desiertos grises del lugar donde naci\u00f3 y se cri\u00f3. Al poner en tensi\u00f3n la escala natural, esos objetos -que en la vida cotidiana caben en una mano- se transforman en sus fotos en monumentos, construcciones monol\u00edticas, paisajes abandonados, desolados, recuerdos de otro tiempo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>ABOUT OBRA \/ WORK CHIQUES \u2013 2019 \u2013 2022 HOMBRES\/ MEN 2018 JUEGO DE LIVING JAPON 2017 LA HORA AZUL \/ THE BLUE HOUR ITOSHIMA SHI 2017 LA HORA AZUL\/ BLUE HOUR SONGZHUANG 2014 CHICAS\/ GIRLS BEIJING 2014 CHICAS\/ GIRLS 2012 NENAS\/ LITTLE GIRLS 2008- 2009 NENAS\/ LITTLE GIRLS 2006- 2007 RETRATOS\/ PORTRAITS \u201990s -2000 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":17,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-53","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/lauraortego.com\/index.php?rest_route=\/wp\/v2\/pages\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/lauraortego.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/lauraortego.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/lauraortego.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lauraortego.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=53"}],"version-history":[{"count":40,"href":"http:\/\/lauraortego.com\/index.php?rest_route=\/wp\/v2\/pages\/53\/revisions"}],"predecessor-version":[{"id":2303,"href":"http:\/\/lauraortego.com\/index.php?rest_route=\/wp\/v2\/pages\/53\/revisions\/2303"}],"wp:attachment":[{"href":"http:\/\/lauraortego.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}